Incomplete dreams, incomplete play: the process of transcreating Kuvempu’s magnum opus novel into a 9-hour play

Authors

Keywords:

art, drama, literature, transcreating novel

Abstract

An admittedly hugely popular novel among Kannada readers, “MalegalalliMadhumagalu,” Kuvempu's magnum opus written in 1967 is a story revolving around the characters of the then prevailing feudal system. Novels are a Kannada dream. Nothing happens in the novel according to the reader's expectations. Novels constantly break our experiences and the incomplete dreaming process continues every time we read a novel.

References

Clipper-Sethi, R. (1983). A Lesson for Novelists; or, The Dramatic Structure of Eugene Onegin. Russian Literature, 14(4), 397-411. https://doi.org/10.1016/0304-3479(83)90005-4

Hernadi, P. (1981). Entertaining commitments: a reception theory of literary genres. Poetics, 10(2-3), 195-211. https://doi.org/10.1016/0304-422X(81)90034-6

Junaidi, L. M. (2018). Stereotypes as the Ideology of Feminism in Novels Authorized by Indonesian Female Authors. International journal of linguistics, literature and culture, 4(1), 1-15.

Kapoor, K. (2016). Nautanki as a Performative Art Form of North India. International Journal of Linguistics, Literature and Culture, 3(1), 7-16.

Karakelle, S. (2009). Enhancing fluent and flexible thinking through the creative drama process. Thinking Skills and Creativity, 4(2), 124-129. https://doi.org/10.1016/j.tsc.2009.05.002

Knoop, C. A., Wagner, V., Jacobsen, T., & Menninghaus, W. (2016). Mapping the aesthetic space of literature “from below”. Poetics, 56, 35-49. https://doi.org/10.1016/j.poetic.2016.02.001

Lin, K. S., Lee, A., Yang, Y. H., Lee, C. T., & Chen, H. H. (2013). Automatic highlights extraction for drama video using music emotion and human face features. Neurocomputing, 119, 111-117. https://doi.org/10.1016/j.neucom.2012.03.034

Link, F. H. (1980). Translation, adaptation and interpretation of dramatic texts. In The Languages of Theatre (pp. 24-50). Pergamon. https://doi.org/10.1016/B978-0-08-025246-9.50010-8

Nikitas, A. (2018). Understanding bike-sharing acceptability and expected usage patterns in the context of a small city novel to the concept: A story of ‘Greek Drama’. Transportation research part F: traffic psychology and behaviour, 56, 306-321. https://doi.org/10.1016/j.trf.2018.04.022

Roose, H., & Vandenhaute, D. (2010). Art world on stage: Analyzing the social logic of literary realities and aesthetic dispositions in the contemporary Flemish theatre world. Poetics, 38(1), 90-108. https://doi.org/10.1016/j.poetic.2009.11.001

Salgaro, M., Wagner, V., & Menninghaus, W. (2021). A good, a bad, and an evil character: Who renders a novel most enjoyable?✰. Poetics, 101550. https://doi.org/10.1016/j.poetic.2021.101550

Zuber, O. (1980). Problems of Propriety and Authenticity in Translating Modern Drama. The Languages of Theatre, 92-103. https://doi.org/10.1016/B978-0-08-025246-9.50014-5

Published

2010-10-02

How to Cite

Narayanaswamy, K. (2010). Incomplete dreams, incomplete play: the process of transcreating Kuvempu’s magnum opus novel into a 9-hour play. International Journal of Economic Perspectives, 4(1), 1–4. Retrieved from http://ijeponline.org/index.php/journal/article/view/37

Issue

Section

Peer Review Articles